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eBook Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity (Routledge Research in Music) download
Photo and Art
Author: Deniz Peters,Gerhard Eckel,Andreas Dorschel
ISBN: 0415890802
Subcategory: Music
Pages 240 pages
Publisher Routledge; 1 edition (February 2, 2012)
Language English
Category: Photo and Art
Rating: 4.9
Votes: 414
ePUB size: 1315 kb
FB2 size: 1924 kb
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eBook Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity (Routledge Research in Music) download

by Deniz Peters,Gerhard Eckel,Andreas Dorschel


Gerhard Eckel is Professor of Computer Music and Multimedia and the former head of the Institute of Electronic Music and Acoustics (IEM) at the University of Music .

Gerhard Eckel is Professor of Computer Music and Multimedia and the former head of the Institute of Electronic Music and Acoustics (IEM) at the University of Music and Perfoming Arts Graz, Austria. Andreas Dorschel is Professor of Philosophy and head of the Institute of Music Aesthetics at the University of Music and Performing Arts Graz, Austria.

230 pages 14 B/W Illus. Gerhard Eckel is Professor of Computer Music and Multimedia and the former head of the Institute of Electronic Music and Acoustics (IEM) at the University of Music and Perfoming Arts Graz, Austria.

Andreas Dorschel, Deniz Peters, Gerhard Eckel

Andreas Dorschel, Deniz Peters, Gerhard Eckel. In this book, scholars and artists explore the relation between electronic music and bodily expression from perspectives including aesthetics, philosophy of mind, phenomenology, dance and interactive performance arts, sociology, computer music and sonic arts, and music theory, transgressing disciplinary boundaries and established beliefs. The historic decoupling of action and sound generation might be seen to have distorted or even effaced the expressive body, with the retention of performance qualities via recoupling not equally retaining bodily.

Embodied Generative Music Gerhard Eckel 1.

Embodied Generative Music Gerhard Eckel 11. Live Electronic Music or Living Electronic Music? Simon Emmerson 1.

and Andreas Dorschel Part 3. .

Start by marking Bodily Expression in Electronic Music: Perspectives . Published November 10th 2013 by Routledge (first published January 1st 2012).

Start by marking Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity as Want to Read: Want to Read savin. ant to Read.

Deniz Peters, Gerhard Eckel, Andreas Dorschel

Deniz Peters, Gerhard Eckel, Andreas Dorschel.

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Download with Google. Touch: Real, Apparent, and Absent. On Bodily Expression in Electronic Music, in: Bodily Expression in Electronic Music, ed. by Deniz Peters, Gerhard Eckel, Andreas Dorschel, Routledge 2012, 17-34.

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In this book, scholars and artists explore the relation between electronic music and bodily expression from perspectives including aesthetics, philosophy of mind, phenomenology, dance and interactive performance arts, sociology, computer music and sonic arts, and music theory, transgressing disciplinary boundaries and established beliefs. The historic decoupling of action and sound generation might be seen to have distorted or even effaced the expressive body, with the retention of performance qualities via recoupling not equally retaining bodily expressivity. When, where, and what is the body expressed in electronic music then? The authors of this book reveal composers’, performers’, improvisers’ and listeners’ bodies, as well as the works’ and technologies’ figurative bodies as a rich source of expressive articulation. Bringing together humanities’ scholarship and musical arts contingent upon new media, the contributors offer inspiring thought and critical reflection for all those seriously engaged with the aesthetics of electronic music, interactive performance, and the body’s role in aesthetic experience and expression. Performativity is not only seen as being reclaimed in live electronic music, interactive arts, and installations; it is also exposed as embodied in the music and the listeners themselves.