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History
Author: Denise Mann
ISBN: 081664540X
Subcategory: Americas
Pages 344 pages
Publisher Univ Of Minnesota Press (February 14, 2008)
Language English
Category: History
Rating: 4.8
Votes: 548
ePUB size: 1909 kb
FB2 size: 1839 kb
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eBook Hollywood Independents: The Postwar Talent Takeover (Commerce and Mass Culture) download

by Denise Mann


Hollywood Independents explores the crucial period from 1948 to 1962 when independent film producers first became key components of the modern corporate entertainment industry

Hollywood Independents explores the crucial period from 1948 to 1962 when independent film producers first became key components of the modern corporate entertainment industry. Denise Mann examines the impact of the radically changed filmmaking climate-the decline of the studios.

Series: Commerce and Mass Culture . Hollywood Independents explores the period from 1948 to 1962 when independent film producers first became key components of the modern corporate entertainment industry. Denise Mann examines the impact of the radically changed filmmaking climate-the decline of the studios, the rise of television, and the rise of potent talent agencies-on a group of prominent ers, including Burt Lancaster, Elia Kazan, and Billy Wilder. eISBN: 978-0-8166-5374-4. Subjects: Film Studies.

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Hollywood Independents book. Hollywood Independents: The Postwar Talent Takeover (Commerce and Mass Culture). Denise Mann examines the impact of the radically changed filmmaking climate-the decline of the studios, the rise of television, and the rise of potent talent agencies like MCA-on a group of Hollywood Independents explores the crucial period from 1948 to 1962 when independent film producers first became key components of the modern corporate entertainment industry.

When we talk about Independent Hollywood today, we tend to think of the Sundance generation of the mid-1990s, and .

When we talk about Independent Hollywood today, we tend to think of the Sundance generation of the mid-1990s, and forget that independent filmmaking in Hollywood-meaning movies in which creative talent has a controlling stake-enjoys a pedigree stretching back to United Artists in the 1920s. It was generally deemed to have begun after Stewart’s company won on Winchester ’73 in 1950.

The independents in this case are Hollywood creatives who became free agents when the old studio system crumbled

Fifty years after the collapse of the studio system, the majors are still trying to figure out how to balance artistic and commercial concerns, adding and shuttering specialty labels with abandon. The independents in this case are Hollywood creatives who became free agents when the old studio system crumbled.

Hollywood Independents: The Postwar Talent Takeover. This illuminating collection shows how legal frameworks have shaped the culture and commerce of Hollywood film. Why Tilda Swinton is the queen of the indies. Key experts in the field explore how legal instruments, processes and institutions have influenced the conditions in which films are made and sold, and how the film industry has left its own impression on the American legal system.

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Sort field for winners: Hollywood independents: the postwar talent takeover. Winner Description: Mann, Denise; Minnesota, 2008. Title of a book, article or other published item (this will display to the public): Hollywood independents: the postwar talent takeover

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Hollywood Independents explores the crucial period from 1948 to 1962 when independent film producers first became key components of the modern corporate entertainment industry. Denise Mann examines the impact of the radically changed filmmaking climate—the decline of the studios, the rise of television, and the rise of potent talent agencies like MCA—on a group of prominent talent-turned-producers including Burt Lancaster, Joseph Mankiewicz, Elia Kazan, and Billy Wilder.

In order to show how these newly independent filmmakers negotiated through an increasingly fraught, reactionary creative atmosphere, Mann analyzes the reflexive portraits of their altered working conditions in such films as A Face in the Crowd, Sweet Smell of Success, and Will Success Spoil Rock Hunter? These artists, she shows, took on the corporate middle-managers at television networks and talent agencies as a way of challenging the status quo without risking censorship or blacklisting.

This period saw the evolution of film production from the studio-governed system to one of entrepreneurs. Out of this new arrangement, which encouraged greater creative freedom, emerged a nascent form of independent art cinema that sowed the seeds of the Hollywood Renaissance that followed.

Denise Mann is associate professor of film, TV and digital media at UCLA. She is coeditor of Private Screenings: Television and the Female Consumer (Minnesota, 1992).